This article also appears over on http://genealogyreligion.net/ where I am very pleased to say I will now be a regular guest contributor. I’ll still be cross posting my articles here and will also post anything that falls outside the remit of the Genealogy of Religion blog. If you haven’t already, I recommend checking out some of the articles by Cris Campbell the creator of the Genealogy site, in fact I already recently recommended you to do so…
Misogi (禊) can loosely be translated as ritual purification by cold water and is a practice most strongly associated with Shintoism. It is also performed by practitioners of Shugendō, a syncretic ascetic sect with a long history in Japan, and by martial arts groups, such as Aikidō practitioners. The precise practices involved vary; at some locations the misogi is performed by immersion in streams/pools and at others by sitting or standing under waterfalls, sometimes the event involves collective practices by large groups (up to 200) and sometimes it is a solitary performance. But despite such diversity a clear unifying thread to all misogi practices is the endurance of cold water in order to purify oneself and by extension the surrounding community.
I’ve now participated in two misogi events: the first was held last year, in a small town called Kikonai in Hokkaidō in Northern Japan and the second was performed just last week, at Teppozu Inari Shrine in a suburb of central Tōkyō. Both events were spectacular and I was extremely fortunate to be invited to take part. However, these two events were also very different and I think they serve as a good illustration of how a single ‘type’ of ritual can be expressed differently, even when performed within the same country (Japan) and ostensibly within the same tradition (Shinto). In this first post, I’ll focus on my experience at the misogi in Kikonai last year, then in the next post I’ll make some comparisons with my experience at the recent event in Tōkyō and finally, I’ll relate both experiences to some important theories which I think help illuminate and explain some of the psychological aspects of these ritual performances.